Note in this paragraph that she does acknowledge and refute the opposing point of view, always an effective rhetorical strategy in a persuasive essay. Visitors begin to get a distorted view of reality.
Here the author inserts an anecdote that builds on the previous paragraph. In this paragraph it becomes clear that Willis is offering a Marxist critique of Disney World. Marxist theory is often criticized for its vagueness and ambiguity, evident in this paragraph in such phrases as "the impoverished imagery of a wholly rationalized entity.
The author concludes reasserting one of the main points of her paper: If you are Marxist, Socialist, Communist, or somewhere in between, you will love and understand this book thoroughly.
Essay 1 Disney World is seen as an artificial, programmed environment in the eyes of Susan Willis, a Duke University English professor I did know what to expect from this book - I realized it was an upper crust take on a park they consider too easy and exhausting. Note the format of the footnote.
Featuring over fifty photographs and interviews with workers that strip "cast members" of their cartoon costumes, this captivating work illustrates the high-pressure dynamics of the typical family vacation as well as a tour of Disney World that looks beyond the controlled facade of themed attractions.
So they had to write a book telling us about all the capitalist horrors that WDW hath wrought. Her visit to Disney World shows that she can be a credible source. The first way in which Disney World provides evidence of being a controlled environment is by the illusion for visitors that they have entered a perfect world.
How does the author attempt to justify her purchase? Waste no more time! Willis, Disney World may be a manufactured sphere of fantasy but it provides entertainment and amusement that is both beneficial and necessary for people.
Here Willis continues her argument, pointing out that the order imposed upon a Disney World visitor seems to preclude genuine play. She explains how even something as small as a family photo is scripted.
The author questions the tour guide about his actions, which he justifies by claiming he is protecting for children the "magic" of Disney World. I disagree and believe that there is nothing wrong with amusement. Here the author discusses the extent to which the Disney corporation protects its copyright on its cartoon characters and attractions and how litigious they can be if their copyrights are infringed.
Note the format of footnote 2, which cites an article from a quarterly journal. If the world was like Disney, then Disney would be out of business. Even though these things maybe simple and overanalyzed by Willis, she brings up a very good point in her argument.
Log in or register now. With ethose, Willis depends on her experience to build a strong ethos. Note how this essay effectively blends the narrative and persuasive rhetorical modes. Note how the author drifts away from her topic as the paragraph progresses. This paragraph provides a good example. A Controlled Society and other term papers or research documents.
I like being warm in the winter, but that does not give ExxonMobil a free pass. I thought it would be funny to read about their snobbery, and it was, but it was also hard to read and follow at times. Maybe it should be amended to say "written for the general reader that already has a good handle on Marxist, feminist, and critical theory.
By now readers will get the sense that the author is interpreting Disney world as a way of offering a socio-economic-cultural critique of the values of contemporary American society. Willis also says that familes are even forced to follow in Disneys trap of conformity. In this paper I will analyze Susan Willis article through evidence of control by the way in which everything is done for them, the way trash is a controlled element, and how the advancement of technology presents itself in our society.
She feels that Disney World should be a place of imagination when it is so scripted and not spontaneous. It begins illustrating how memories can be preserved in other than "commodified form. Consider, as you read, other ways in which you could interpret the reasons why this family chose to wear identical t-shirts.
Families purchase log tshirts and wear them as a group so that every familt member is identical. You appreciate Disney for what it is, period.Paragraph Four: Here Willis continues her argument, pointing out that the order imposed upon a Disney World visitor seems to preclude genuine play.
By now readers will get the sense that the author is interpreting Disney world as a way of offering a socio-economic-cultural critique of the values of contemporary American society. Featuring over fifty photographs and interviews with workers that strip "cast members" of their cartoon costumes, this captivating work illustrates the high-pressure dynamics of the typical family vacation as well as a tour of Disney World that looks beyond the controlled facade of themed attractions.
Warning Concerning Copyright Restrictions The copyright law of the United States (Title 17, United States Code) governs the reproduction of copyrighted material. This entertaining and playful book views Disney World as much more than the site of an ideal family vacation.
Blending personal meditations, interviews, photographs, and cultural analysis, Inside the Mouse looks at Disney World's architecture and design, its consumer practices, /5(3).
It praises Disney World for its family-oriented atmosphere but criticizes it for exploiting families and for viewing them as a larger unit of consumption. To Willis, Disney World is a microcosm of a capitalist society, the purchase of souvenirs mirroring the purchase, on a larger scale, of public stock.
The Project on Disney group is made up of Jane Kuenz, Karen Lkugman, Shelton Waldrep, and Susan Willis. Their concern is with the everyday experience of Disney World as both private and public space.Download